Chapters
Chapters of books and catalogue essays
'The Artist': Institutions, Training and Status' in T. Ayers (ed.), The History of British Art 600-1600, London and New Haven 2008, pp. 140-165.
The Visual Arts and their Functions in the English Pre-Reformation Church, in T. Hamling & R.L. Williams (eds), Art Re-formed: Re-assessing the Impact of the Reformation on the Visual Arts, Newcastle 2007, pp. 15-35
The Later Medieval Monuments and Chantry Chapels, in R.K. Morris & R. Shoesmith (eds.) Tewkesbury Abbey: History, Art and Architecture, Logaston 2003, pp. 161-182 and 303-6.
'The Singuler Mediacions and Praiers of all the Holie Companie of Heven': Sculptural functions and forms in Henry VII's Chapel, in T. Tatton-Brown and R. Mortimer (eds.), Westminster Abbey: the Lady Chapel of Henry VII , Woodbridge 2003, pp. 259-93.
The Commissioning Process, in R. Marks and P. Williamson (eds.), Gothic: Art for England 1400-1547, London 2003, pp. 89-91.
Gothic Sculpture: studio and workshop practices, in P. Lindley (ed.), Making Medieval Art, Donington 2003, pp.54-80.
Henry VII's Chapel, in P. Lindley (ed.), Making Medieval Art, Donington 2003, pp. 202-211.
The Lincoln CD-ROM Project: History, Theory, Conservation and Images, in A. Bolvig and P. Lindley (eds.), History and Images, Turnhout 2003, pp. 139-164.
Image and Idol, in the eponymous catalogue, London 2001, pp. 24-53.
Heraldic Tomb-Monuments, in H. Summerson and S. Harrison (eds.), Lanercost Priory, CWAAS, 2000, pp. 153-166.
Absolutism and Regal Image in Ricardian Sculpture, in D. Gordon, L. Monnas and C. Elam (eds.), The Wilton Diptych, London 1997, pp. 61-83, 288-96.
Innovations, Tradition and Disruption in Tomb-Sculpture, in D. Gaimster and P. Stamper (eds.), The Age of Transition: The Archaeology of English Culture 1400-1600, Oxford 1997, pp. 77-92.
Pietro Torrigiano's Tomb of Dr Yonge in the Public Record Office: Conservation Discoveries and Decisions, (co-authored with C. Galvin) in P. Lindley (ed.), Sculpture Conservation: Preservation or Interference?, Aldershot 1997, pp. 155-167.
Introduction, in P. Lindley (ed.), Sculpture Conservation: Preservation or Interference?, Aldershot 1997, pp. xix-xxxii.
The Black Death and English Art, in W.M. Ormrod and P.G. Lindley (eds.), The Black Death in England, Stamford 1996 (repr. 2003), pp. 124-146.
Retrospective Effigies, the Past and Lies, in D. Whitehead (ed.) British Archaeological Association Conference Transactions, Hereford, Leeds 1995, pp. 111-121.
The Effigies, in A. Harvey & R. Mortimer (eds.), The Funeral Effigies of Westminster Abbey, Woodbridge 1994. Second edition 2003, pp.30-4; 37-9; 41-2; 44-8; 50-3; 55-7; 59-62; 67-71; 72-6; 79-84; 95-7; 109-111; 116-117; 121; 125; 133; 147; 155-7; 167-70; 179-81.
Westminster and London as Sculptural Centres, in H. Beck & K. Hengevoss-Duerkop (eds.), Europäische Skulptur im 12./13. Jahrhundert, Frankfurt 1994, pp. 231-250.
Medieval Sculpture, in J. Crook (ed.), Winchester Cathedral, Chichester 1993, pp. 97-122.
Structure, sequence and status: the architectural history of Gainsborough Old Hall to c.1600, in P. Lindley (ed.), Gainsborough Old Hall, Gainsborough 1991, pp. 21-6.
Introduction, (co-authored with Dr Gunn) in S.J. Gunn & P.G. Lindley (eds) Cardinal Wolsey: Church, state and art, Cambridge 1991, pp. 1-53.
Playing check-mate with royal majesty? Wolsey's patronage of Italian Renaissance sculpture, in S.J. Gunn & P.G. Lindley (eds) Cardinal Wolsey: Church, state and art, Cambridge 1991, pp. 261-85.
Romanticizing reality: the sculptural memorials of Queen Eleanor and their context, in D. Parsons (ed.), Queen Eleanor of Castile 1290-1990, Stamford 1991, pp. 69-92.
Figure-sculpture at Winchester in the fifteenth century: a new chronology, in D. Williams (ed.), England in the Fifteenth Century, Woodbridge 1987, pp. 153-166.
The fourteenth-century architectural programme at Ely Cathedral, in W.M. Ormrod (ed.), England in the Fourteenth Century, Woodbridge 1986, pp. 119-130.
Catalogue entries
Gothic: Art for England , London 2003, catalogue entries 29; 87; 88; 117; 286; 287.
MacMillan Dictionary of Art, London 1996, (entries on: Ely Cathedral in X, pp. 165-70; William Hurley, XV, p. 32; John Massingham, XX, pp. 588-9; John of St Albans, XVII, p. 612; Thomas Prentys, XXV, p. 554; John of Battle, XVII, p. 612; general essay on English sculpture to 1530, X, pp. 259-61; specialist essay on English fifteenth century sculpture, XIII, pp. 84-5; medieval sculpture of Westminster Abbey, XIX, pp. 603-5; Alexander of Abingdon, I, p.612; William Torel, XXXI, p. 164; Winchester Cathedral SculptureXXXIII, p. 238; the clerk of works, VII, p. 420).
The Age of Chivalry: Art in Plantagenet England, (1987-88 Exhibition at the Royal Academy). Architecture and sculpture sections: Lady Chapel, Octagon, Ely Cathedral; sculpture from Winchester Cathedral, Winchester College, Cobham, Mattersey, Muse de Cluny apostle, Stamford, Waltham Eleanor Cross, Cheapside Eleanor Cross, Westminster Hall Kings.
Enciclopedia dell'Arte Medievale (three entries).